More Salish art and a poem resulting from what the postcard fest instructions suggested since year 1, that is “something of the here and now” should/could get into the poem. That’s what postcards are after all, no? My ongoing battle with dehydration and the fest as respite from life in pre-crash USAmerican empire are also recurring themes of the work.
This year the Poetry Postcard Fest celebrates its 20th anniversary. From the fest many a creative project has spawned, and one recent example of that is Julie Master’s book: No Headlines Here: Postcard Poems.
Notes on the last Poetry Postcard Activation for 2026 at Pritchard Beach in Seattle.
Postcarding and DaySonging (A Workshop). In this session it will be a presentation of how the postcard fest developed, how the daysong developed, how I prepare for the fest and how participants attending prepare for the fest, as well as how to prepare for a successful daysong. The similarities of the daysong to serial poetry could be discussed, as well as the effort to put one’s self into the open, which has benefits in one’s own life.
“the poem reveals
its own
suppleness”
in gray Autumn
waning
the face
of my interconnected
self
traversed
by spiders
on two sides
of the glass