Cascadia Poetics LAB
Poetry Postcard Fest
Watershed Press
Cascadian Prophets Podcast
Cascadia Poetry Festival 8

Register Your Press

March 10, 2014
Ryukan
Paccar Atrium

Paccar Atrium

Now that AWP has left Seattle, we can turn our attention to bioregional poetry matters. The Small Press Fair at the Cascadia Poetry Festival is accepting registration and those already registered include Pageboy Magazine, Wilfrid Laurier University Press, Headmistress Press, Ravenna Press, Cascadia Now!, The Common Acre and StringTown Press. We’d love to see your favorite NW publisher in on this amazing deal. Capacity of the Pigott Auditorium is 411 and the festival takes no cut from Small Presses. The Fair happens in Paccar Atrium on the Seattle U campus, right outside the Pigott Auditorium, the festival’s Main Stage. $100 to register and that includes 4 weekend Gold Passes. Registration information is here. Our thanks to Seattle U for the use of the facilities.

0 Comments

Submit a Comment

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

dashed cool colors line

You May Also Like

June 8 4-7 Postcards from Mapes Creek

June 8 4-7 Postcards from Mapes Creek

Postcards from Mapes Creek on June 8! Join us on June 8, 2025 from 4-7 PM at Mapes Creek for a community poetry postcard gathering! At the mouth of Mapes Creek, we will gather with a postcard collage table, food and an open mic for reading postcard poems. This is a...

Postcards for Prisoners

Postcards for Prisoners

From Judy Kleinberg: We had an excellent discussion of writing to incarcerated people last night in the Zoom Room. Hosted by Zach Charles and featuring Betty King of Bisbee, Arizona, Matt Trease of the CPL board, Katie Sarah Zale, who is a poet and teacher who works...

Sam O’Hana on How to Support Working Class Poets

Sam O’Hana on How to Support Working Class Poets

When I said that what’s good for general society is also good for poets, I’m talking about a series of cultural opportunities where a much wider stretch of people are allowed to take the opportunity to become writers. I came back from a conference last week where I presented some research on the demographic aspects of the New American poets. The poets that were born and came to maturity in the early to mid-20th century were beneficiaries of broad national scale longevity gains. This [includes] things like pushbacks against tuberculosis, against polio, against poor nutrition and infant mortality. These are gains that were made by the medical and scientific institutions, but also by general prosperity, by making more food available to more people and making that food shelf stable for longer. So, when you talk about what might make it possible for poor people to do more creative work, you could start by saying well we should just give people more money, but the fact of the matter is that plenty of people already have the wealth they need, they just don’t actually have any time.