Cascadia Poetry Festival 10
The 10th Cascadia Poetry Festival is set for October 9-11, 2026, at the Rainier Beach Community Club and other local venues. CPF is a gathering of poets and bioregionalists, exploring poetry and its connection to environmental, political, historical, and sociological pursuits within the Cascadia bioregion as defined by David McCloskey. The festival aims to consider how prioritizing natural and cultural boundaries, rather than arbitrary political ones, can address climate change and other issues. Cascadia Poetics LAB Founders Circle Members will be given the first opportunity to purchase an all-access Gold Pass.
This will be the second workshop aiming to demystify the process of writing poetry, and, as the CPL and Cascadia 2050 missions say, “empower people to practice poetry…”
Click this link for more information about the workshop I Want to Write a Poem (But Don’t Know How)
Saturday September 26, 2026, 3-5:00 PM Pacific Time
Cost: free, suggested donation $25.
I Want to Write a Poem (But Don’t Know How): A Cascadia 2050 workshop
This will be the second workshop aiming to demystify the process of writing poetry, and, as the CPL and Cascadia 2050 missions say, “empower people to practice poetry…”
Click this link for more information about the workshop I Want to Write a Poem (But Don’t Know How)
Saturday September 26, 2026, 3-5:00 PM Pacific Time
Cost: free, suggested donation $25.
Join poets Brenda Hillman and Paul E Nelson for a reading from, and discussion about, each of their new books. Registration fees benefit the Cascadia Poetics Lab. Scholarships are available.
Via Zoom
Friday, October 23, 2026
6-9 PM Pacific Time
Suggested donation: $10-$100
For more information, workshop page Still House, Singing Bullets, Soft Secession
Still House, Singing Bullets, Soft Secession
a conversation
Join poets Brenda Hillman and Paul E Nelson for a reading from, and discussion about, each of their new books. Registration fees benefit the Cascadia Poetics Lab. Scholarships are available.
Via Zoom
Friday, October 23, 2026
6-9 PM Pacific Time
Suggested donation: $10-$100
For more information, workshop page Still House, Singing Bullets, Soft Secession
A 5-week online poetry workshop designed for folks with any/no level of experience with poetry and with an interest in non-religious spirituality and the occult.
Click this link for more information about the workshop: Poet As Radio: Writing From Intuition
Sundays 3-5:00 PM Pacific Time
October 15 – November 15, 2026
Cost: suggested donation $125.
Poet as Radio: Writing from Intuition
A 5-week online poetry workshop designed for folks with any/no level of experience with poetry and with an interest in non-religious spirituality and the occult.
Click this link for more information about the workshop: Poet As Radio: Writing From Intuition
Sundays 3-5:00 PM Pacific Time
October 15 – November 15, 2026
Cost: suggested donation $125.
Explore practices that help keep consciousness attuned to the realities of the world – and discover how poetry can emerge from that depth. In this five-week workshop, Paul E. Nelson guides participants through readings, interviews, journaling, and writing exercise rooted in the Cascadia bioregion. All levels are welcome; openness and a commitment to the practice are all that’s required.
Learn more about Poetry as Neuro-Resilience →
Suggested donation: $130–$275
Saturday Cohort
Saturdays 9-11 AM Pacific Time
November 21, 2026 – December 19, 2026
Sunday Cohort
Sundays 3-5 PM Pacific Time
November 22, 2026 – December 20, 2026
Cascadia Poetics LAB Blog
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The Poetry Postcard Fest is an annual 56-day experiment in spontaneity and community building. This literarary event is a self-guided workshop in spontaneous composition where people sign up to send 31 original poems on postcards to folks on a participation list before the end of August. The fest was initiated in 2007 by poets Paul E. Nelson and Lana Ayers, and has grown to include poets participating worldwide. Registration opens annually on September 1.
Ian Boyden and Sam Hamill on Habitations
On November 10, 2012, Sam Hamill and Ian Boyden joined together to do an interview on Hamill’s chapbook Border Songs, as well as Habitations, a collaboration between the poet, Sam, and the painter, Ian. Fewer than a dozen copies were made of the book, although in the interview Boyden recommends you forget whatever notions you hold about what a book is and can be. About 3 feet high and 10 inches wide, the cover made of fossilized maple, this book was the result of the organic collaboration between these two artists. Each page was a painting done by Boyden, using his typically atypical pigments and binders such as carbon, shark teeth, meteorites, and fresh water pearls, with the text of Hamill’s poem etched into the painting by laser. In addition to the interview, at the Spring Street Center on the corner of 15th and Spring in Seattle’s Cherry Hill neighborhood, Boyden spoke and took a Q&A about the collaboration and his methods, and Hamill gave a reading from his chapbook Border Songs, published by Word Palace Press. (Part 1, Part 2, Part 3, Part 4)
Sam Hamill was the Founding Editor of Copper Canyon Press and author of more than forty volumes of poetry, essays, and celebrated translations from ancient Chinese, Japanese, Greek, Latin, and Estonian.
Ian Boyden is an artist and writer currently working in the Blue Mountains southeast of Walla Walla, Washington. His practice in paintings and books, displays a fundamental drive to link the literary, material, and visual imagination. He makes his own paints and inks from unusual materials such as meteorites, shark teeth, and freshwater pearls. His work has been exhibited widely and is found in many public collections including Reed College, the Portland Art Museum, the Victoria & Albert Museum, and the Suzhou Museum. Website: https://ianboyden.com/
To hear the original audio, Hamill’s reading, and Boyden’s talk, see the archival post here.
Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.
Podcast (prophets-podcast): Play in new window | Download (Duration: 42:52 — 58.9MB)
In Honor of David McCloskey “The Father of Cascadia”
David McCloskey passed away on July 3. In honor of his lifetime of work to create and spread a culture that was deeply connected to the Cascadian bioregion, Cascadian Prophets, which owes more than just its name to his work, we want to share this interview from October, 2013. Find it transcribed on our website.
Listen to more current and archival podcasts on Spotify or on our website.
In Honor of David McCloskey "The Father of Cascadia"
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We recognize that our home office is on the ancestral homeland of the Duwamish, Muckleshoot and other Coastal Salish tribes. Our dedication to bioregionalism is to co-exist on this land in the sacred manner as practiced by the traditional ways of these indigenous people.
Statement on Ahimsa by Board Member Jason Wirth
January 20, 2021
The (Poetry Postcard Fest) and the Cascadia Poetry Festival (are) connected… When you’re writing poetry… part of poetry is the craft… rules (to be understood) in a variety of contexts… (Craft is…) a necessary but not sufficient condition. You’re also… experiencing your mind, at a very deep level. And that mind as you experience it more deeply, is not in a vacuum… It’s now and here… rooted in the socio-economic and ecological conditions that make it possible. And participating in… the spiritual exercise of these postcards, is already entering into… a deep bioregional awakening and conversion. In a way we’re trying for something like a spiritual revolution, and that poetry is not just an interesting thing that you can do, if you like. It’s a fundamental exercise of being here in a less harmful way… it’s a deep ahimsa, a deep practice of non-harming and cultivation. And so, it’s all connected… And… our ambition is… trying to have a mind that would be capable, of being in this place in a better way… We’re going to live or die, by how we come down on these issues going forward.







































