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Poetry Postcard Activations

Free Poetry & Community Events in Rainier Beach!

Postcarding & DaySinging 2026 Workshop

This session will be a presentation of how the postcard fest developed, how the daysong developed, how I prepare for the fest and how participants attending prepare for the fest, as well as how to prepare for a successful daysong. The similarities of the daysong to serial poetry could be discussed, as well as the effort to put one’s self into the open, which has benefits in one’s own life. Registration is open to all registered 2026 Poetry Postcard Fest participants for a suggested donation starting at $1, which is the lowest our CRM will allow! See: https://bit.ly/4uwpnLG

 

Cascadia Poetics LAB Blog

Hello 2026!

Hello 2026!

Happy New Year from Cascadia Poetics Lab! Happy New Year! Thank you for another successful and enriching year for poetry and place in Cascadia! This...

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Cascadia Poetics LAB Blog

CJ Prince Has Passed

CJ Prince Has Passed

Longtime Bellingham, WA postcard poet CJ Prince has lost her battle with cancer. The news went out on her Facebook page via her Grandchild and Denny...

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Postcards at Kubota Garden

Postcards at Kubota Garden

The Cascadia 2050 crew will continue the series of springtime Poetry Postcard Activations Saturday, April 18,  from 11a - 1p at Kubota Garden, a...

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Poetry Postcard Fest 2026

Early Bird Registration

The Poetry Postcard Fest is an annual 56-day experiment in spontaneity and community building. This literarary event is a self-guided workshop in spontaneous composition where people sign up to send 31 original poems on postcards to folks on a participation list before the end of August. The fest was initiated in 2007 by poets Paul E. Nelson and Lana Ayers, and has grown to include poets participating worldwide. Registration opens annually on September 1.

Ian Boyden and Sam Hamill on Habitations

Ian Boyden and Sam Hamill on Habitations

On November 10, 2012, Sam Hamill and Ian Boyden joined together to do an interview on Hamill’s chapbook Border Songs, as well as Habitations, a collaboration between the poet, Sam, and the painter, Ian. Fewer than a dozen copies were made of the book, although in the interview Boyden recommends you forget whatever notions you hold about what a book is and can be. About 3 feet high and 10 inches wide, the cover made of fossilized maple, this book was the result of the organic collaboration between these two artists. Each page was a painting done by Boyden, using his typically atypical pigments and binders such as carbon, shark teeth, meteorites, and fresh water pearls, with the text of Hamill’s poem etched into the painting by laser. In addition to the interview, at the Spring Street Center on the corner of 15th and Spring in Seattle’s Cherry Hill neighborhood, Boyden spoke and took a Q&A about the collaboration and his methods, and Hamill gave a reading from his chapbook Border Songs, published by Word Palace Press.  (Part 1, Part 2, Part 3, Part 4)

Sam Hamill was the Founding Editor of Copper Canyon Press and author of more than forty volumes of poetry, essays, and celebrated translations from ancient Chinese, Japanese, Greek, Latin, and Estonian.

Ian Boyden is an artist and writer currently working in the Blue Mountains southeast of Walla Walla, Washington. His practice in paintings and books, displays a fundamental drive to link the literary, material, and visual imagination. He makes his own paints and inks from unusual materials such as meteorites, shark teeth, and freshwater pearls. His work has been exhibited widely and is found in many public collections including Reed College, the Portland Art Museum, the Victoria & Albert Museum, and the Suzhou Museum. Website: https://ianboyden.com/

To hear the original audio, Hamill’s reading, and Boyden’s talk, see the archival post here.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

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We recognize that our home office is on the ancestral homeland of the Duwamish, Muckleshoot and other Coastal Salish tribes. Our dedication to bioregionalism is to co-exist on this land in the sacred manner as practiced by the traditional ways of these indigenous people.

 

Statement on Ahimsa by Board Member Jason Wirth

January 20, 2021

The (Poetry Postcard Fest) and the Cascadia Poetry Festival (are) connected… When you’re writing poetry… part of poetry is the craft… rules (to be understood) in a variety of contexts… (Craft is…) a necessary but not sufficient condition. You’re also… experiencing your mind, at a very deep level. And that mind as you experience it more deeply, is not in a vacuum… It’s now and here… rooted in the socio-economic and ecological conditions that make it possible. And participating in… the spiritual exercise of these postcards, is already entering into… a deep bioregional awakening and conversion. In a way we’re trying for something like a spiritual revolution, and that poetry is not just an interesting thing that you can do, if you like. It’s a fundamental exercise of being here in a less harmful way… it’s a deep ahimsa, a deep practice of non-harming and cultivation. And so, it’s all connected… And… our ambition is… trying to have a mind that would be capable, of being in this place in a better way… We’re going to live or die, by how we come down on these issues going forward.